I'm thrilled to have found Diana Logreira Campos to complete the film.
Editor Ingrid Patetta had to move on to Niger, Africa in March to resume her own film. She did a great job, taking Soy Andina to the rough cut stage and cutting a sublime trailer. (She even studied marinera with Cynthia - now that's dedication!)
So I had to find a worthy replacement — and did, thanks to an introduction by filmmaker Ingrid Rojas at a Docuclub event.
I met Diana in her Greenpoint, Brooklyn studio and was impressed by her background and clips. I liked her enthusiasm. Not to mention she danced salsa, thus carrying on a time-honored tradition that Soy Andina crew be able to burn up the dance floor.
Her bio: Filmmaker/editor/educator from Bogotá, Colombia. Studied film in Havana, Cuba. Made films about immigrants and identity in America: An Outsider, about an Arab who runs a laundromat, and I'm Still the King, about a Colombian who earns a living dancing salsa with a puppet. Recently studied with Martin Scorsese and Abbas Kiarostami at the Marrakech/Tribeca Filmmaker Exchange, and edited Kiarostami's short Not in the Right Time.
You could say Diana worked with Scorcese and Kiarostami, now Teplitsky. Obviously a career on the ascent...